1731 Gottfried Silbermann Review and Update
The instrument 1731 Gottfried Silbermann is located in a historic village church in eastern Germany near Dresden. The church is based on a building from the 13th century, which was repeatedly reworked and expanded over the following centuries, most recently in 1742. The acoustics of the church are very dry and clear due to the many wooden fittings
The tool are also found in a famous town temple in eastern Germany near Dresden. The recent church is normally located on a church structure through the 13th century, which was reiterate transformed and enlarged over the next centuries, most newly in 1742. The aural of the church are very droughty and clear due to many wood connection.
The organ was built in 1729-31 by Gottfried Silbermann from Frauenstein/Saxony.
Gottfried Silbermann’s organs can be divided into different architectural classes. This instrument represents the medium-sized village organ type and was one of the favorite instruments of Helmut Walcha and the Dresden Kreuzorganist Herbert Collum.
The organ was set up in 1729-31 by Gottfried Silbermann from Fraunstein/Saxony Gottfried Silbermann organs could be divided into many framework classes. The apparatus shows the average-sized village organ type and was the favored apparatus of Helmut WALCHA and the DRESDEN Kreuzorganist Herbert Collum.
Typical Gottfried Silbermann organ features are strong and sharp aliquots , such as 1 1/2′ and 3′, full and warm 8′ principals and bright superoctave registers 4′, 2′ and 1′. Characteristic expressive registers are Rohrflöte 8′ and Quintadena 8′. The plenum sound is clear and very powerful and does not require many registers.
Basically,Gottfried Silbermann organ qualities are powerful and sharpened portions, such as 1 ½; and 3, full and warm 8, principles and shine super interval registers 4, 2, and 1. Features eloquent registers are rohrflote 8, and Quintana 8. The repletion sound is very pure and strong and does not need any registers.
Recording technology
The organ was first recorded in May 2003 for Hauptwerk 1. A complete advance recording was made in May 2010 at 48 kHz, 24-bit in multi –
channel technology for surround/variable audio perspective (VAP) with several reverberation responses for short and long tone durations for optimal spatial imaging (so-called multi-release technology from OrganArt). In addition, all registers were recorded with the original tremulant.